THE ANDY WARHOL CATALOGUE RAISONNÉ. VOLUME 2: PAINTINGS AND SCULPTURE 1964-1969

First edition. Two volumes. Publisher's brown paper covered boards printed in blue. Illustrated in colour and black and white throughout. Housed in the original card slipcase. A fine copy, the binding square and tight, clean and bright. The contents are clean throughout and without inscriptions or stamps. Complete with the fine original slipcase. Still sealed in the original publisher's plastic and with the original price label (£450 / $750 / €750). This volume comes from the collection a Phaidon rep, later head of sales.

The Andy Warhol Catalogue Raisonné was initiated in 1977 by Thomas Ammann. The editors Georg Frei and Neil Printz began primary research in 1993 and have been advised throughout the project by the distinguished curators and art historians Kynaston McShine and Robert Rosenblum. Experts from the Andy Warhol Foundation personally examined the vast majority of Warhol's works and began a thorough review of his archive, which at his death consisted of some 1,500 cardboard boxes, flat files, and trunks filled with source material, memorabilia, correspondence and junk mail. The editors examined works in museum conservation facilities and discussed them with conservators, submitted works for review by the Andy Warhol Art Authentication Board, and interviewed Warhol's assistants and colleagues to assemble a customised database of works unparalleled in Warhol scholarship. All of their findings are documented in this project. Each annotated catalogue entry includes the works title, date, medium, dimensions and present owner, followed by a record of inscriptions, provenance, exhibitions and literature. Related works are linked by general introductory texts that explore historical circumstances, shared themes and studio practices. Supplementary figures to the texts illustrate source materials that Warhol appropriated for his works: newspaper articles and advertisements, soup cans and publicity stills, as well as related drawings, works by other artists, and studio and exhibition views (publisher's blurb). Volume 2 includes a fascinating collection of source material: especially the rare studio photographs taken by Billy Name-Linich, who became The Factory's first de facto photographic historian. In this volume, editors Georg Frei and Neil Printz focus on Warhol's serial production, analysing the evolution of Warhol's working methods and the growing relationship between Warhol's exhibitions and his studio production. They establish a sophisticated and extensive chronology for the works of this period, many of which have been difficult to locate and to date, due to their seriality. The text provides both a compelling overview and an unparalleled deconstruction of Warhol's riveting story.